teaching

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“…Your visit was wildly successful. You connected with so many students and so many non-students in such a short time, it was wonderful. And then there is the music. So this was pretty special, not only to hear so much of your music in different contexts, but also to pal around afterwards! A real privilege.”

T. Hunt Tooley

A.M. Pate, Jr., Professor of History and Chair, History Department, Austin College, Sherman, Texas

 

Jacqueline has presented to schools and universities nationwide, each a bit different. Sometimes, in a Mark Twain’s America concert, she has taught grade school assemblies to dance the 1850’s gallop and how immigrants brought the songs in their heads, in addition to their "one suitcase." She has performed in a Civil War “Chautauqua day” at the Greensburg High School (IN). She has also enjoyed lengthier university residencies, where she has worked with music improvisation, history and theory, European and American history, Jane Austen, film, acting and career counseling classes. She has also enjoyed lengthier university residencies, such as Austin College (TX), Clemson University (SC), Isothermal Community College (NC), Otterbein University (OH), and Santa Clara University (CA), where she has worked with music improvisation, history and theory, European and American history, Jane Austen, film, acting and career counseling classes. She has even coached singers! 

In 2012, Jacqueline participated in a special project with 826 Boston a nonprofit youth writing, tutoring, and publishing organization located in Roxbury, MA. She was interviewed about being a concert pianist by a middle school student aspiring to perform. Jacqueline’s words, “A place for me in the world,” became the title for the 826 Boston Young Authors' Book Project, a published book celebrating the students’ work.

Page 31, Interview by Sela, age 13

“After that, the musicians from the documentary and I were asked to play at the White House for President Clinton when he was still in office. We were all so nervous and really, really revved up. We waited in the lounge with the US Army Band, but they played in the White House every night, so they weren't nervous or revved up at all--in fact, they were bored and playing cards!”

She has taught, hands-on, the art of playing and improvising dance music at camps and shorter workshops across the country. Participants have found themselves singing-while-dancing, clapping pulses and rhythms, playing improvisatory games, listening, and exploring a sense of “play” and risktaking in their play. Jacqueline also has enjoyed teaching group keyboard harmony (“Bored with Your Chords?”). 

With private students, Jacqueline explores their learning to play with confidence and passion. She encourages critical listening, along with light-hearted curiosity and deep compassion for their process. Other skills may include technique, ear training, harmony, pulse, posture, improvisation, arranging, phrasing and breath. Laughing is encouraged! Lessons are at Jacqueline’s Boston-area studio, or on Facetime or, when on the road, at students’ homes.

“I started taking piano lessons with Jacqueline, because I fell in love with the exquisite way she played English County Dance and American folk music. Not all masters of their craft can teach, but I was thrilled to discover that Jacqueline is also a master teacher. Jacqueline is generous with her tips and tricks that demystify improvisation and music theory, but she is also willing to delve deep in her students’ psychological and physiological experience of playing music. Jacqueline helped me unlock something in my playing that had been waiting for someone with the intuition, patience and knowledge to set it free. Her holistic approach to teaching is nothing short of magical and healing. She has helped me rediscover the joy of playing that drew me to the piano in the first place.”

Mela Heestand

Student

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“Perhaps most memorable and moving of all, though, was your illustrative performance showing how you reworked Henry Clay Work’s “Marching through Georgia” into a lament for the Civil War soundtrack. After a semester devoted to the study of how artists transform and transfigure musical materials extemporaneously in the course of performance, this revelatory example served as a perfect capstone to our course.”

A. Scott Currie

Worlds of Improvisation Course, Musicology Division, School of Music, University of Minnesota